People get so hung up on a making a project perfect. It is so much more fun to have a dialogue with your project, sometimes it speaks to you while you are asleep, or at the art museum and you have an "ah ha!" moment and can move on to the next step. The hardest part of this quilt was figuring out how to teach someone who can't draw, how to make realistic animal designs with felted appliques. That eureka moment came when I learned how to make stencils from my patterns.
There is a group in Delaware that wants me to teach a class in Felted Applique and they thought Designer Seashells would be a fun pattern to try, so I made up a small sample. It didn't work. I think it is because they don't have eyes, so I researched fish in Delaware waters and they are almost poisonous, the waters are so polluted. I saw warnings about only eat them once a month or, good grief, once every three months. Then I thought of doing a seagull...they are abundant along the shore and they would be a unique theme to try.
New Flock of Sheep (at right). This shows the 3-D effect that you can achieve by putting more roving down the center of the face to make it a bas (pronouced Baah! like sheep say, meaning low) relief. The embroidery is done using six basic stitches. When you combine them, feather and colonial (a variation of French knots) stitches they make symbols of flowering plants, not copious copies. If you take two different orange size 5 pearl cotton threads and make a colonial stitch in a tree, you've got peaches. The more you do the embroidery, the more observant you become and the ideas keep flowing. I usually change colors of green when the thread runs out when I make grasses or weeds. Once you have the techniques you are only limited by your ingenuity. There is so much to learn, and try. It doesn't always end up in success, but that is part of the learning experience. You learn from your mistakes too.